Anna Wu Photography | San Francisco Wedding Photography weddings, engagements, lifestyle, headshots, events

Now Seeking 2010 Assistants!

Posted on August 26, 2010

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It's a little late into the season, but  I'm happy to introduce the very first Anna Wu Photography Assistant Program, starting 2010.

I am looking for one to three people who are seriously interested in photography and have time to dedicate to learning and working with me.

Please read through this page thoroughly before applying. Thank you!

THE ASSISTANT PROGRAM

  • I am looking for one to three assistants to start right away.
  • I am located in Mission Bay, San Francisco, close to the ballpark.
  • This assistant program is unpaid, but I will teach you as much as possible and bring you behind the scenes into my world as a wedding photographer.

IDEALLY, YOU...

  • Are an aspiring photographer with serious interest in working as a photographer either part-time or full-time.
  • Are post-college and available to work on weekends.
  • Have a solid foundational understanding of dSLR photography and own your own dSLR.
  • Have not photographed more than two weddings as the primary photographer.
  • Are involved in social media (twitter, facebook, blog).
  • Live in the San Francisco Bay Area and are able to travel to San Francisco once a month.
  • Are reliable and professional. You arrive on time and must not cancel on your commitments.

ASSISTANT DUTIES

Tasks include, but are not limited to,

  • Working one day a week (approx. 4 hours) with me: once a month at my home office in SF
  • Meet virtually (gchat/skype/phone) the other three weeks of the month.
  • Assisting with marketing
  • Preparing and shipping client discs
  • Assisting at shoots when available-- mainly assisting with lighting and gear.
  • This is not a second shooter position, but you may be allowed to take photos for personal portfolio use ONLY when there is time.

WHAT YOU WILL GAIN

  • Insights into both the technical side and the business side of wedding photography
  • Constant feedback on your images and portfolio
  • Behind-the-scenes view of my business-- emails, client contacts, shooting, post-processing, and more
  • Access to my overflow photography inquiries
  • An ally and a friend
  • The adventure of learning with me as I learn!

TO APPLY

  • Please email me at anna[at]annawu[dot]com.
  • Include: your contact information, a short introduction into your photography background, and what you would bring to the table. Also include a link to your online portfolio of 10-15 of your best images from weddings or portraits. If you do not have images already online, please contact me for further instructions.

I will be setting up interviews with potential assistants in the next couple weeks and will have a trial run period before final confirmations are made. Final deadline for applications is Monday, September 6, 2010,  but applications will be processed on a rolling basis.
Please only contact my via email. Facebook messages, tweets, etc. will not be considered as an official application.

And of course, because no post is complete without a photo, here's a photo of Shang Chen from our Seattle trip last month. Shang is an amazing photographer, my own friend and ally, and the inspiration for my own assistantship program. Check her out at shangchenphoto.com.

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Good Morning, Oakland

Posted on August 13, 2010

I know it's a matter of familiarity and time. I just moved to San Francisco, and I haven't been there long enough to enjoy it yet. I haven't become a part of the city, and it hasn't become a part of me. I'm not used to this fog, this windy chill, the irony of my new place being even quieter than I knew was possible in "the city."

It only makes sense that my heart does a little flip as I cross the Bay Bridge and I see Oakland coming back into view. These roads are the routes I traveled as a matter of course. This is a place I know. It's warmer and sunnier, only a few miles away, and yet this place is the one that feels like home.

One of the things I knew I'd miss is my view over Downtown Oakland, I decided to create this time lapse on my moving day so I could bring it with me wherever I go. Sure, it's not as good as the life-size version, but I like it. Especially when that first peek of blue bursts through the clouds. See for yourself-- a bit of my Oakland home.

So that's that. From now on, I've resolved to look forward and start building my new life in San Francisco. It's a matter of familiarity and time. I know there are amazing things waiting to happen. And maybe one day soon, I'll love my new city as much as the last.

Dan Hutchings, Vocalist | San Francisco Headshots Photographer

Posted on August 9, 2010

Dan Hutchings is a classical vocalist based in San Francisco now, but soon moving out of state. He's reserved, straightforward, and classically good looking too. The cool thing about this session is that it's the first one I did right here, at my new place in San Francisco. Looking forward to many more to come!

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Susie Fong, Harpsichordist | San Francisco Headshots Photographer

Posted on July 16, 2010

Susie peered into the window like a child sneaking a peek at the Christmas presents long before it was time, and she gestured me over to show me. In one room, a harpsicord with light-colored wood ornately painted with floral designs. In another, a stark modernist piece with sleek curving lines and a bold red, black, and white color scheme. These were extraordinary, unique harpischords sitting in ordinary practice rooms, there at the SF Conservatory of Music just for a summer festival.

Susie swiped her card to let us in, and she sat down at the red harpsichord. I just have to try it out. And as she played the beautiful notes from a Bach prelude, her love for the instrument and for early music took the scene, and everything else faded into the background.

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Audrey & Aaron | Grace Cathedral | San Francisco Wedding Photographer

Posted on June 30, 2010

He is her rock. He has a commanding presence, matched with the kindest eyes. She's the spontaneous, rambunctious, playful one. They knew within four months of dating that they wanted to get married, but their families insisted they were too young, and so they've put it off for six years, keeping their relationship going across the oceans, spanning the US, Japan, Philippines, England, now Germany, and soon Afghanistan.

Aaron is in the Army, stationed in Germany now, but deploying deployed to Afghanistan in a couple months. He and Audrey have plans for a full wedding when he gets back from his tour in Afghanistan, but really, they knew that this was the time. Aaron flew back to California from Germany for just three days, with one goal in mind: marry his girl. And with that, they eloped in San Francisco.

We met in front of the iconic Grace Cathedral on a gray day. It was overcast and chilly-- the kind of weather that often envelops San Francisco but shocks tourists dreaming of Southern California sunshine and beaches. These two were unfazed by the cold, especially Audrey in her stunning vintage lace dress and those gorgeous peep-toe pumps.

Starting off strong in the middle of those beautiful steps.
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In front of the famed Ghiberti Gates of Paradise, an exact replica of the Duomo doors in Florence.
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Gorgeous!
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Already said it once, but I love her shoes.  And Aaron's are shiny enough to see yourself in them.
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There are no words.
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Love this! There was a meeting going on in the room right next to where they're standing. But they went ahead and pulled this off anyway.
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Love the natural vignetting of this one.
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Congratulations to you both! I wish you only the best in the year to come.

Scott Robert Lim Workshop- Mixed Review

Posted on June 15, 2010

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I attended Scott Robert Lim's "Master Lighting Guide to Flash Photography" workshop in San Francisco this past week. Overall, the workshop met my expectations, although not necessarily in the way I would have expected.

First, a little about me and my mindset. I love learning. I believe in education, and I believe wholeheartedly in seriously investing in my craft, but I don't have gobs of money to spend, which makes it doubly important to invest my money smartly.

Another major consideration for me is that stylistically, my work is very different from Scott Robert's. My aesthetic (sweet, romantic, natural) is starkly different from Scott Robert's (dramatic, bold, artsy). So this was not going to be the most obvious choice of workshops for me. But I gave it some serious thought, set specific parameters for myself, and ultimately jumped in with my $400.

Setting Expectations

There are all sorts of workshops offered by all sorts of photographers these days. But not every workshop is a great fit for every photographer, so the first step to choosing one is knowing what you're looking for. Figure out what the workshop is offering and decide what you're trying to get out of it. For me, that means going in with high expectations but specific objectives.

The Workshop Description:

You can read the full description here, but basically, this workshop promises:

  1. Photography Instruction-- in this case, about lighting through off-camera flash
  2. Personal Coaching-- from Scott himself
  3. A Styled Shoot-- with models in Chinatown, which Scott encourages as a unique portfolio builder

It's the second of eight workshops in Scott Robert Lim's year-long Mentorship Program.

Personal Objectives:

Based on the above claims of the workshop, I formed my own priorities and objectives.

  1. Lighting Knowledge- I will have a conceptual understanding and a practical knowledge of how to use basic one-light off-camera flash.
  2. Bay Area Networking- I will gain contacts and form/strengthen relationships with area photographers who can continue to be a resource throughout the year.
  3. Scott Robert Lim- I will build a relationship with Scott Robert Lim, especially since he promotes himself as a mentor

The one big marketed aspect of the workshop that I basically dismissed was the idea of using the styled shoot as a portfolio builder. Because the style really doesn't fit my wedding aesthetic, I figured the images wouldn't be very usable in my portfolio anyway, and that was fine. My priorities were really on the other three items listed above, so this also impacted the way I approached the night and what I got out of it (for the better, as it turns out).

Workshop Review (the details):

The Lecture

The first part of the workshop was a lecture in a small clubhouse. First impression, I was surprised at the large number of attendees (40), since so much was made of this being a mentorship experience with personal coaching. But Scott Robert is an engaging speaker who's clearly passionate about photography. He started with a recap of the previous workshop, which had covered posing and basic lighting (face toward the light; body away). Then he went over lighting. The information was great and easy to follow, though sometimes it seemed really slow and other times he just rushed through. My biggest gripe was that almost the entire lecture was exactly what he goes over in his interactive e-book, Master Lighting Guide to Flash Photography (sound familiar?). True, it was nice to have him animating the slides to life and explaining things in person, but I was left with the distinct feeling that I could've garnered the same information by reading it myself.

The most valuable part of the lecture was definitely the live demonstrations-- not just because we got to see a lighting setup, but because we actually got to think through the process of lighting a subject together and begin to see how the troubleshooting works. Again, downsides were that there were only a couple live demos that we got to think through-- towards the end, he just went ahead and set things up, more to show us something cool than to lead us through the thought process-- and also, the camera wasn't hooked into a screen or anything, so it was fairly difficult to see what the results actually looked like.

All in all, 7/10 for the lecture. I had really high expectations.

Guided Practice (what guided practice?)

The trained teacher in me is thinking, after you teach new material, you have to provide guided practice so the students can try what they just learned with your help. Ideally, I would have liked to go from sitting in the lecture room to having everyone take out their equipment and try a standard setup, all together. That way we could get familiar with our own gear, see the concepts in action, and be reassured that we're doing it correctly the first time. Sadly, there was no such structured practice put into place. We broke off from the lecture into our own independent groups, and basically wandered off until dinner. While we were told we could practice and try things out, there wasn't necessarily anyone there to guide us through anything. This is when I started feeling kind of lost.

2/10. I was with a group of photographers I already knew, and they already basically knew what they were doing, so at least they helped me out.

Styled Shoot

The shooting portion of our workshop began after dinner, from roughly 7-10pm. Six models were set up at different stations inside and outside the restaurant. Each station had a group leader with a pad of paper. We had to put our name on the list, and when it was our turn, we would have 3 minutes to set up and shoot. That's it. 40 photographers clamoring for these 3-minute slots! I had no idea what I was doing, and I was supposed to figure it out on the side and come up with an idea so I could just go up and execute it? Overwhelmed. I shot at two stations right off the bat, hated everything I got, and quickly gave up on that plan.

Styled shoot- 4/10. I still don't buy into it, but I know other photographers got really great portfolio builders, so that's good.

Relationship Building

New plan: follow Scott Robert Lim around. I clearly wasn't going to learn anything from myself, so I assisted Scott for a while, and I got to talk to him one-on-one for a nice chunk of time, as most of the other photographers were busy with their own shoots. I watched him scout out one location that didn't work out and think of a second setup that he then tested and set up before the model was available. In short, I got to see more of that thought process, which isn't always visible when people who are really good at what they do just go ahead and do it. But Scott was extremely open and articulate about what he was thinking, and he was patient in answering all my random questions.

Finally, at the end of the night, back up in the restaurant, I still wasn't shooting the models, so Scott took the time to set up a low-pressure shoot just for me with Mei, one of the girls who was just standing by, ready to help with anything. Dressed in regular clothing, she came up to the bar and we posed her and lit her, shooting with a basic one-light setup. Then Mei went to change into her dress and came back some time later, when I was able to replicate the setup and shoot it again. From there, I had this unofficial model to myself, and with friends Elliot and Ed to help with the flash, we moved to another part of the restaurant and I got to finally try some stuff out without that 3-minute timer ticking down. (See what I said about needing guided practice?) These were my only salveagable images from the night, but it made up for my trepidation around the rest of it.

My personal one-on-one tutoring with Scott Robert and my own improvised shoot- 10/10. Plus, I am now part of a network of photographers who can all continue to help each other out throughout the year. Truly priceless.

Moral of the Story

If there's a moral to this workshop it's that I got out of it what I put in. Just paying for a workshop and showing up isn't sufficient to improve anything. I had small qualms about this and that throughout the day, but with my focus on my own objectives, I was able to help myself reach my own goals. Basic Lighting Understanding; Bay Area Networking; Scott Robert Lim Contact-- check, check, check. I had to know myself and my own limitations and adapt the workshop to work for me. So it was all completely worth it in the end.

More images from the end of the night:

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San Francisco Detour

Posted on May 28, 2010

Driving back from the Palace of Fine Arts in San Francisco last night, I missed a turn, and Nora (my GPS) decided to take me on a scenic route around the city. As I drove along The Embarcardero, the Ferry Building came into view, perfectly lit against the sparkling lights of the Bay Bridge. All of this, as Jay Z proclaimed his anthem to another city, and everything melded together one of those beautiful moments that reminds you to appreciate life. Unfortunately, I don't have a photo to show for it (I was driving!) but the mental picture is sometimes even better.

Right now, I'm in Salt Lake City, en route to Ohio for an engagement shoot and wedding this weekend. But I'll be back in the Bay by Sunday.

And because I'd hate to leave you without an actual picture, here's one from the archives-- Bay Bridge by night.

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Mount Tamalpais

Posted on May 15, 2010

I am not exactly an outdoorsy person. I am quite the opposite of the athletic, adventure-sports type, and I prefer to have internet and running water around as much as possible. But somehow, I rather like the idea of camping. It speaks to the quiet explorer side of me-- being able to break routine, go out to a new place, and live in it and experience it in a whole different way.

Last weekend, Ernie and I went to Mt. Tam just north of the Golden Gate Bridge for some easy camping. Lucky for me, Ernie is much more of the outdoorsy athletic type, so he did all of the hard work while I just got to tag along and breathe in nature. He even cooked a ridiculous gourmet meal over an open fire (ratatouille, potatoes, burgers, and oysters!). But then again, our second day was spent on a five-hour hike going up and down 1500 feet in elevation, which was not nearly as luxurious as I would have hoped. But I'll admit, I got some nice photographs and a lot of exercise out of the experience.

Here we are, fresh after the morning rains, embarking on the hike.

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There really is something refreshing and magical about a forest covered in a thick layer of mist.

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These next few photos were all shot with my LX3 point-and-shoot, since I didn't want to lug around my SLR on the hike. More proof that the camera isn't as important as the photographer. Plus, the LX3 is really extraordinary for shooting macro shots, as seen with these dew-covered plants.

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And below, two photos from San Francisco (taken while at a Giants' game) a couple days later. Not part of the camping trip, but they fit the look nicely.

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I'll admit I probably say this too often, but the Bay Area never ceases to amaze me. Beautiful mountains, giant grassy fields, misty trees, ocean views, mild weather, and a surprising lack of insects. Ahh, life.

Samsun van Loon | San Francisco Headshots Photographer

Posted on April 21, 2010

Sam is a cellist living in San Francisco. He plays recitals and chamber music not just as mode of performance, but as a social venture, performing with different friends and getting to know various musicians and audience members. Oh, but he's not just a cellist. He also recently dislocated his shoulder snowboarding (though it's getting much better), and he needs a daily walk in the park, so it's a good thing he lives right next to Golden Gate Park.

Just a couple shots from our headshot session:

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Sasha Launer, Flutist | San Francisco Headshots Photographer

Posted on March 30, 2010

It was still early morning when I drove in to the sunset district of San Francisco, thankful for my Fastrak as I whizzed by the traffic on the Bay Bridge. I found Sasha's apartment on a wide, busy street. Cars were flying by loudly, but inside, it was all peace and quiet. A beautiful space with clean walls, hardwood floors, and plenty of gorgeous window light.

Sasha is a flutist at the San Francisco Conservatory of Music. Beautiful and talented. Killer combination.

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